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If You Think All Sans Serif Fonts Are the Same

If you are like many of us, you are undoubtedly familiar with the "standard" Windows fonts.
You probably also understand the basic differences between serif and sans serif typefaces. Perhaps
you have even gone so far as to create a few customized multimedia presentation templates —
complete with selected fonts. But how do you know WHY Tahoma is such a great universal font or
WHY Courier should be used sparingly? Fortunately, there is a wonderful online resource,
abc typography, that helps
answer these questions and more.
Created by Planet Typography,
this site bills itself as a virtual museum of typography. This web site is a valuable resource
for anyone who needs to create visual media. It contains history, samples, and possible uses
for many common typefaces.
The site is organized into four main sections, based
upon typeface categorization. Sections include Classic, 20th Century, Modern, and Miscellaneous. Each
section shows examples of the typefaces from the selected period in addition to adaptations of the
particular typeface. For example, the Classic section reveals the following:
We learn that Baskerville, Bembo, Bodoni, Cheltenham,
Clarendon, and Garamond are all classic typefaces. By selecting Bembo, we learn more about this particular
typeface:
A short history of the typeface is provided, as well
as the concept behind its design . . . "the Bembo is a readable and classical typeface because of its
well-proportioned letterforms, functional serifs, and lack of peculiarities." Additionally, a comprehensive
example of the typeface is also provided.
In the Modern section, we learn the history of
Verdana — a very popular and effective typeface for multimedia presentations. "Verdana exhibits new
characteristics derived from the pixel rather than the pen. The balance between straight, curve, and
diagonal has been meticulously tuned to ensure that the pixel patterns are pleasing, clear, and
legible."
The site is a great tool even if the particular typeface
you want to use is not listed. For example, if you were looking for a typeface popular in the 1960s,
you may find your way to Optima, in the 20th Century section. Whether or not you could get your hands
on Optima in the short term is relatively unimportant — you could learn why this typeface was popular
in the 1960s and use a typeface that shares the same characteristics.
Finally, you can follow the links to the Planet Typography
site that contains an online font center complete with shareware/freeware fonts for your use. You can download a font such as Ibarra, for example:
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